Kiln Back to creator
Design preset

Objects made of clay, not of paper

A fixed light above and to the left, deep occlusion beneath each object and a highlight along its upper ridge. Buttons bulge out and squish when pressed; inputs are pressed into the surface. The shadows are tinted with the object's own colour, because a grey shadow here is neumorphism — the thing this style defines itself against.

2.72:1White on the gradient's light end
5.70:1White on its dark end
4Shadow layers
5.58:1The spec's muted grey — correct
What the preset decides

Three rules

1

A gradient is its worst stop

White on the specified button gradient is 5.70 at the dark end and 2.72 at the light end — safe on half the button and invisible on the other half. Flat fills here use the dark end.

2

Never four pixels

The specification forbids a small radius outright, and it is right: 20px on buttons, 32 on cards, 48 and up on containers. One 4px corner and the material turns back into a generic rounded rectangle.

3

Shadows take the object's hue

A violet button drops a violet shadow. Swap it for grey and the page stops being clay and becomes soft-UI, which is a different and much colder style.

The physics

Convex bulges. Concave presses.

This panel is concave — it is pressed into the surface, with the shadow on its top edge and the light caught along its bottom lip. The buttons below are convex and do the opposite. Press one and it scales to 95% and inverts its own shadow, which is the entire feedback mechanism of the style.

Press me And this one

Pricing, as this preset renders it

Three tiers

Starter

$0

per month

  • One project
  • Community support
  • Core components
Choose
Most chosen

Studio

$24

per month

  • Ten projects
  • Priority support
  • Every component
  • Design export
Choose

Agency

$72

per month

  • Unlimited projects
  • Shared libraries
  • Client handover
Choose

Placeholder figures — not an offer

Questions

Frequently asked

Is this a mock-up or the real thing?
A specimen, hand-built to the preset's specification so the style can be seen whole rather than as a thumbnail. The preset itself is a set of WordPress Theme Settings, and a generated site carries the palette, Nunito over DM Sans, the 20px button radius and the convex clay shadow with its squish. The four-layer stack on cards, the gradient orbs and the blurred background blobs are markup, so a section that wants them still asks for them.
Why is the button a flat colour rather than the gradient?
Because white on the gradient's light end measures 2.72 to one. The gradient is not the problem — the assumption that one text colour works along its whole length is. A flat fill at the dark end carries white at 5.70 and loses nothing that mattered.
How is this different from neumorphism?
Colour. Neumorphism extrudes everything from one grey surface with grey shadows; claymorphism gives each object its own hue and tints the shadow to match, so objects look like separate pieces of material sitting on a surface rather than bulges in it.

Build a site in this preset.

Describe the business and your own AI agent builds it on WordPress with Unyson+ — real page-builder pages, with this design system applied site-wide.

Open the creator

Preview only Specimen page