The card is lighter than the page
Which makes it the harder surface, not the easier one. The spec's secondary grey is 4.09 to one on the canvas and 3.57 inside a card — it fails in both places, and worse where you would check last.
Four shades of slate stacked on each other, a single amber that glows rather than shouts, and enough space around everything that the page feels calm instead of dense. No second accent, no gradient, no colour doing the work of hierarchy.
Ink on the canvas18.92:1
Amber on the canvas9.20:1
Canvas on the amber9.20:1
White on the amber2.15:1
Spec muted, on the card3.57:1
Which makes it the harder surface, not the easier one. The spec's secondary grey is 4.09 to one on the canvas and 3.57 inside a card — it fails in both places, and worse where you would check last.
The ambient orbs and the halo on a hovered button are the signature of the style and they are decoration. Every pairing here passes before any glow is applied to it.
Section padding runs to 176px. Tightening it is the quickest way to lose the calm, and it costs nothing to keep — unlike a colour, space is free.
Each step is a few points of lightness, which is why the layering reads as depth rather than as four different colours — and why a glass panel has to be measured against whatever sits behind it rather than against the page.
Placeholder figures — not an offer
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